Sylvia Plath

A Villanelle

The sting of bees took away my father
who walked in a swarming shroud of wings
and scorned the tick of the falling weather.

Lightning licked in a yellow lather
but missed the mark with snaking fangs:
the sting of bees too away my father.

Trouncing the sea like a ragin bather,
he rode the flood in a pride of prongs
and scorned the tick of the falling weather.

A scowl of sun struck down my mother,
tolling

Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors
Stage curtains, a widow’s frizz.
And I, love, am a pathological liar,
And my child look at her, face down on the floor,
Little unstrung puppet, kicking to disappear
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of

It is no night to drown in:
A full moon, river lapsing
Black beneath bland mirror-sheen,

The blue water-mists dropping
Scrim after scrim like fishnets
Though fishermen are sleeping,

The massive castle turrets
Doubling themselves in a glass
All stillness. Yet these shapes float

Up toward me, troubling the face
Of quiet. From the nadir
They rise, their limbs ponderous

With richness, hair heavier
Than sculptured marble. They sing
Of a world more full and clear

Than can be. Sisters, your song
Bears a burden

‘Perspective betrays with its dichotomy:
train tracks always meet, not here, but only
in the impossible mind’s eye;
horizons beat a retreat as we embark
on sophist seas to overtake that mark
where wave pretends to drench real sky.’

‘Well then, if we agree, it is not odd
that one man’s devil is another’s god
or that the solar spectrum is
a multitude of shaded grays; suspense
on the quicksands of ambivalence
is our life’s whole nemesis.

So we could rave

Where the three magenta
Breakwaters take the shove
And suck of the grey sea

To the left, and the wave
Unfists against the dun
Barb-wired headland of

The Deer Island prison
With its trim piggeries,
Hen huts and cattle green

To the right, and March ice
Glazes the rock pools yet,
Snuff-colored sand cliffs rise

Over a great stone spit
Bared by each falling tide,
And you, across those white

Stones, strode out in you dead
Black coat, black shoes, and your
Black hair till there

By the gate with star and moon
Worked into the peeled orange wood
The bronze snake lay in the sun

Inert as a shoelace; dead
But pliable still, his jaw
Unhinged and his grin crooked,

Tongue a rose-colored arrow.
Over my hand I hung him.
His little vermilion eye

Ignited with a glassed flame
As I turned him in the light;
When I split a rock one time

The garnet bits burned like that.
Bust dulled his back to ocher
The way sun

Love set you going like a fat gold watch.
The midwife slapped your footsoles, and your bald cry
Took its place among the elements.

Our voices echo, magnifying your arrival.  New statue.
In a drafty museum, your nakedness
Shadows our safety.  We stand round blankly as walls.

I’m no more your mother
Than the cloud that distills a mirror to reflect its own slow
Effacement at the wind’s hand.

All night your moth-breath
Flickers among the flat pink roses. 

It is a chilly god, a god of shades,
Rises to the glass from his black fathoms.
At the window, those unborn, those undone
Assemble with the frail paleness of moths,
An envious phosphorescence in their wings.
Vermillions, bronzes, colors of the sun
In the coal fire will not wholly console them.
Imagine their deep hunger, deep as the dark
For the blood-heat that would ruddlr or reclaim.
The glass mouth sucks blooh-heat from my forefinger.
The old god

Clocks belled twelve. Main street showed otherwise
Than its suburb of woods : nimbus-
Lit, but unpeopled, held its windows
Of wedding pastries,

Diamond rings, potted roses, fox-skins
Ruddy on the wax mannequins
In a glassed tableau of affluence.
From deep-sunk basements

What moved the pale, raptorial owl
Then, to squall above the level
Of streetlights and wires, its wall to wall
Wingspread in control

Of the ferrying currents, belly
Dense-feathered, fearfully soft to
Look upon? Rats’ teeth gut the city
Shaken by owl

The winter landscape hangs in balance now,
Transfixed by glare of blue from gorgon’s eye;
The skaters freese within a stone tableau.

Air alters into glass and the whole sky
Grows brittle as a tilted china bowl;
Hill and valley stiffen row on row.

Each fallen leaf is trapped by spell of steel,
Crimped like fern in the quartz atmosphere;
Repose of scultpure holds the country still.

What coutermagic can undo the snare
Which has stopped the season in

Anansi, black busybody of the folktales,
You scuttle out on impulse
Blunt in self-interest
As a sledge hammer, as a man’s bunched fist,
Yet of devils the cleverest
To get your carousals told:
You spun the cosmic web: you squint from center field.

Last summer I came upon your Spanish cousin,
Notable robber baron,
Behind a goatherd’s hut:
Near his small stonehenge above the ants’ route,
One-third ant-size, a leggy spot,
He tripped an ant with a rope
Scarcely visible. About and

First, are you our sort of a person?
Do you wear
A glass eye, false teeth or a crutch,
A brace or a hook,
Rubber breasts or a rubber crotch,
Stitches to show something’s missing? No, no? Then
How can we give you a thing?
Stop crying.
Open your hand.
Empty? Empty. Here is a hand

To fill it and willing
To bring teacups and roll away headaches
And do whatever you tell it.
Will you marry it?
It is guaranteed

To thumb shut

I ordered this, clean wood box
Square as a chair and almost too heavy to lift.
I would say it was the coffin of a midget
Or a square baby
Were there not such a din in it.

The box is locked, it is dangerous.
I have to live with it overnight
And I can’t keep away from it.
There are no windows, so I can’t see what is in there.
There is only a little grid, no

It is ten years, now, since we rowed to Children’s Island.
The sun flamed straight down that noon on the water off Marblehead.
That summer we wore black glasses to hide our eyes.
We were always crying, in our spare rooms, little put-upon sisters,
In the two, huge, white, handsome houses in Swampscott.
When the sweetheart from England appeared, with her cream skin and Yardley cosmetics,
I had to sleep in the same room with

He was the bullman earlierm
King of the dish, my lucky animal.
Breathing was easy in his airy holding.
The sun sat in his armpit.
Nothing went moldy. The little invisibles
Waited on him hand and foot.
The blue sisters sent me to another school.
Monkey lived under the dunce cap.
He kept blowing me kisses.
I hardly knew him.

He won’t be got rid of:
Memblepaws, teary and sorry,
Fido Littlesoul, the bowel’s unfamiliar.
A dustbin’s enough for him.
The dark’s his

Who are these people at the bridge to meet me?  They are the villagers-
The rector, the midwife, the sexton, the agent for bees.
In my sleeveless summery dress I have no protection,
And they are all gloved and covered, why did nobody tell me?
They are smiling and taking out veils tacked to ancient hats.

I am nude as a chicken neck, does nobody love me?
Yes, here is the secretary of bees with

A garden of mouthings. Purple, scarlet-speckled, black
The great corollas dilate, peeling back their silks.
Their musk encroaches, circle after circle,
A well of scents almost too dense to breathe in.
Hieratical in your frock coat, maestro of the bees,
You move among the many-breasted hives,

My heart under your foot, sister of a stone.

Trumpet-throats open to the beaks of birds.
The Golden Rain Tree drips its powders down.
In these little boudoirs streaked with orange and

The black bull bellowed before the sea.
The sea, till that day orderly,
Hove up against Bendylaw.
The queen in the mulberry arbor stared
Stiff as a queen on a playing card.
The king fingered his beard.

A blue sea, four horny bull-feet,
A bull-snouted sea that wouldn’t stay put,
Bucked at the garden gate.

Along box-lined walks in the florid sun
Toward the rowdy bellow and back again
The lords and ladies ran.

The great bronze gate began to crack,
The

An old beast ended in this place:

A monster of wood and rusty teeth.
Fire smelted his eyes to lumps
Of pale blue vitreous stuff, opaque
As resin drops oozed from pine bark.

The rafters and struts of his body wear
Their char of karakul still. I can’t tell
How long his carcass had foundered under
The rubbish of summers, the black-leaved falls.

Now little weeds insinuate
Soft suede tongues between his bones.
His armorplate, his toppled stones
Are an esplanade

I shall never get you put together entirely,
Pieced, glued, and properly jointed.
Mule-bray, pig-grunt and bawdy cackles
Proceed from your great lips.
It’s worse than a barnyard.
Perhaps you consider yourself an oracle,
Mouthpiece of the dead, or of some god or
other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.

Scaling little ladders with glue pots and pails
of lysol
I crawl like an ant in mourning
Over the weedy acres

The nose-end that twitches, the old imperfections-
Tolerable now as moles on the face
Put up with until chagrin gives place
To a wry complaisance-

Dug in first as God’s spurs
To start the spirit out of the mud
It stabled in; long-used, became well-loved
Bedfellows of the spirit’s debauch, fond masters.
-Sylvia Plath

The word of a snail on the plate of a leaf?
It is not mine. Do not accept it.

Acetic acid in a sealed tin?
Do not accept it. It is not genuine.

A ring of gold with the sun in it?
Lies. Lies and a grief.

Frost on a leaf, the immaculate
Cauldron, talking and crackling

All to itself on the top of each
Of nine black Alps.

A disturbance in mirrors,
The sea shattering its grey one –

Love,

Revolving in oval loops of solar speed,
Couched in cauls of clay as in holy robes,
Dead men render love and war no heed,
Lulled in the ample womb of the full-tilt globe.

No spiritual Caesars are these dead;
They want no proud paternal kingdom come;
And when at last they blunder into bed
World-wrecked, they seek only oblivion.

Rolled round with goodly loam and cradled deep,
These bone shanks will not wake immaculate
To trumpet-toppling dawn of doomstruck

Two virtues ride, by stallion, by nag,
To grind our knives and scissors:
Lantern-jawed Reason, squat Common Sense,
One courting doctors of all sorts,
One, housewives and shopkeepers.

The trees are lopped, the poodles trim,
The laborer’s nails pared level
Since those two civil servants set
Their whetstone to the blunted edge
And minced the muddling devil

Whose owl-eyes in the scraggly wood
Scared mothers to miscarry,
Drove the dogs to cringe and whine
And turned the farmboy’s temper wolfish,
The housewife’s, desultory.
-Sylvia

Mother, mother, what illbred aunt
Or what disfigured and unsightly
Cousin did you so unwisely keep
Unasked to my christening, that she
Sent these ladies in her stead
With heads like darning-eggs to nod
And nod and nod at foot and head
And at the left side of my crib?

Mother, who made to order stories
Of Mixie Blackshort the heroic bear,
Mother, whose witches always, always,
Got baked into gingerbread, I wonder
Whether you saw them, whether you said
Words to