Sylvia Plath

For Ruth Fainlight

I know the bottom, she says. I know it with my great tap root:
It is what you fear.
I do not fear it: I have been there.

Is it the sea you hear in me,
Its dissatisfactions?
Or the voice of nothing, that was your madness?

Love is a shadow.
How you lie and cry after it
Listen: these are its hooves: it has gone off, like a horse.

All night I shall gallop thus,

How the elements solidify!-
The moonlight, that chalk cliff
In whose rift we lie

Back to back. I here an owl cry
From its cold indigo.
Intolerable vowels enter my heart.

The child in the white crib revolves and sighs,
Opens its mouth now, demanding.
His little face is carved in pained, red wood.

Then there are the stars – ineradicable, hard.
One touch : it burns and sickens.
I cannot see your eyes.

Where apple bloom ices the night
I walk

You bring me good news from the clinic,
Whipping off your silk scarf, exhibiting the tight white
Mummy-cloths, smiling: I’m all right.
When I was nine, a lime-green anesthetist
Fed me banana gas through a frog-mask. The nauseous vault
Boomed wild bad dreams and the Jovian voices of surgeons.
The mother swam up, holding a tin basin.
O I was sick.

They’ve changed all that. Traveling
Nude as Cleopatra in my well-boiled hospital shift,
Fizzy with sedatives and unusually

Outside in the street I hear
A car door slam; voices coming near;
Incoherent scraps of talk
And high heels clicking up the walk;
The doorbell rends the noonday heat
With copper claws;
A second’s pause.
The dull drums of my pulses beat
Against a silence wearing thin.
The door now opens from within.
Oh, hear the clash of people meeting-
The laughter and the screams of greeting:

Fat always, and out of breath,
A greasy smack on every cheek
From Aunt Elizabeth;
There,

Haunched like a faun, he hooed
From grove of moon-glint and fen-frost
Until all owls in the twigged forest
Flapped black to look and brood
On the call this man made.

No sound but a drunken coot
Lurching home along river bank.
Stars hung water-sunk, so a rank
Of double star-eyes lit
Boughs where those owls sat.

An arena of yellow eyes
Watched the changing shape he cut,
Saw hoof harden from foot, saw sprout
Goat-horns. Marked how god rose
And galloped woodward

All day she plays at chess with the bones of the world:
Favored (while suddenly the rains begin
Beyond the window) she lies on cushions curled
And nibbles an occasional bonbon of sin.

Prim, pink-breasted, feminine, she nurses
Chocolate fancies in rose-papered rooms
Where polished higboys whisper creaking curses
And hothouse roses shed immortal blooms.

The garnets on her fingers twinkle quick
And blood reflects across the manuscript;
She muses on the odor, sweet and sick,
Of festering gardenias in

Pure? What does it mean?
The tongues of hell
Are dull, dull as the triple

Tongues of dull, fat Cerebus
Who wheezes at the gate. Incapable
Of licking clean

The aguey tendon, the sin, the sin.
The tinder cries.
The indelible smell

Of a snuffed candle!
Love, love, the low smokes roll
From me like Isadora’s scarves, I’m in a fright

One scarf will catch and anchor in the wheel.
Such yellow sullen smokes
Make their own element. They will not rise,

But trundle

In Benidorm there are melons,
Whole donkey-carts full

Of innumerable melons,
Ovals and balls,

Bright green and thumpable
Laced over with stripes

Of turtle-dark green.
Chooose an egg-shape, a world-shape,

Bowl one homeward to taste
In the whitehot noon:

Cream-smooth honeydews,
Pink-pulped whoppers,

Bump-rinded cantaloupes
With orange cores.

Each wedge wears a studding
Of blanched seeds or black seeds

To strew like confetti
Under the feet of

This market of melon-eating
Fiesta-goers.
-Sylvia Plath

This was the land’s end: the last fingers, knuckled and rheumatic,
Cramped on nothing. Black
Admonitory cliffs, and the sea exploding
With no bottom, or anything on the other side of it,
Whitened by the faces of the drowned.
Now it is only gloomy, a dump of rocks –
Leftover soldiers from old, messy wars.
The sea cannons into their ear, but they don’t budge.
Other rocks hide their grudges under the water.

The cliffs are edged with

Born green we were
to this flawed garden,
but in speckled thickets, warted as a toad,
spitefully skulks our warden,
fixing his snare
which hauls down buck, cock, trout, till all most fair
is tricked to faulter in split blood.

Now our whole task’s to hack
some angel-shape worth wearing
from his crabbed midden where all’s wrought so awry
that no straight inquiring
could unlock
shrewd catch silting our each bright act back
to unmade mud cloaked by sour sky.

Sweet salts warped

Now coldness comes sifting down, layer after layer,
To our bower at the lily root.
Overhead the old umbrellas of summer
Wither like pithless hands. There is little shelter.

Hourly the eye of the sky enlarges its blank
Dominion. The stars are no nearer.
Already frog-mouth and fish-mouth drink
The liquor of indolence, and all thing sink

Into a soft caul of forgetfulness.
The fugitive colors die.
Caddis worms drowse in their silk cases,
The lamp-headed nymphs are nodding to

You will be aware of an absence, presently,
Growing beside you, like a tree,
A death tree, color gone, an Australian gum tree –
Balding, gelded by lightning-an illusion,
And a sky like a pig’s backside, an utter lack of attention.
But right now you are dumb.
And I love your stupidity,
The blind mirror of it. I look in
And find no face but my own, and you think that’s funny.
It is good for me
To have

Summer grows old, cold-blooded mother.
The insects are scant, skinny.
In these palustral homes we only
Croak and wither.

Mornings dissipate in somnolence.
The sun brightens tardily
Among the pithless reeds. Flies fail us.
he fen sickens.

Frost drops even the spider. Clearly
The genius of plenitude
Houses himself elsewhwere. Our folk thin
Lamentably.
-Sylvia Plath

Old man, you surface seldom.
Then you come in with the tide’s

coming
When seas wash cold, foam-
Capped: white hair, white beard,
far-flung,
A dragnet, rising, falling, as waves
Crest and trough. Miles long
Extend the radial sheaves
Of your spread hair, in which wrin-
kling skeins
Knotted, caught, survives
The old myth of orgins
Unimaginable. You float near
As kneeled ice-mountains
Of the north, to be steered clear
Of, not fathomed. All obscurity
Starts with a danger:
Your dangers are many. I
Cannot look much but

How far is it?
How far is it now?
The gigantic gorilla interior
Of the wheels move, they appall me —
The terrible brains
Of Krupp, black muzzles
Revolving, the sound
Punching out Absence! Like cannon.
It is Russia I have to get across, it is some was or other.
I am dragging my body
Quietly through the straw of the boxcars.
Now is the time for bribery.
What do wheels eat, these wheels
Fixed to their arcs like gods,
The silver leash

Pocket watch, I tick well.
The streets are lizardy crevices
Sheer-sided, with holes where to hide.
It is best to meet in a cul-de-sac,

A palace of velvet
With windows of mirrors.
There one is safe,
There are no family photographs,

No rings through the nose, no cries.
Bright fish hooks, the smiles of women
Gulp at my bulk
And I, in my snazzy blacks,

Mill a litter of breasts like jellyfish.
To nourish
The cellos of moans I eat eggs —
Eggs and

Gold mouths cry with the green young
certainty of the bronze boy
remembering a thousand autumns
and how a hundred thousand leaves
came sliding down his shoulder blades
persuaded by his bronze heroic reason.
We ignore the coming doom of gold
and we are glad in this bright metal season.
Even the dead laugh among the goldenrod.

The bronze boy stands kneedeep in centuries,
and never grieves,
remembering a thousand autumns,
with sunlight of a thousand years upon his lips
and his

Over your body the clouds go
High, high and icily
And a little flat, as if they

Unlike swans,
Having no reflections;

Unlike you,
With no strings attached.
All cool, all blue. Unlike you-

You, there on your back,
Eyes to the sky.
The spider-men have caught you,

Winding and twining their petty fetters,
Their bribes-
So many silks.

How they hate you.
They converse in the valley of your fingers, they are inchworms.
They would have you sleep in their cabinets,

This tow and that

Flintlike, her feet struck
Such a racket of echoes from the steely street,
Tacking in moon-blued crooks from the black
Stone-built town, that she heard the quick air ignite
Its tinder and shake

A firework of echoes from wall
To wall of the dark, dwarfed cottages.
But the echoes died at her back as the walls
Gave way to fields and the incessant seethe of grasses
Riding in the full

Of the moon, manes to the wind,
Tireless, tied, as

Irrefutable, beautifully smug
As Venus, pedestalled on a half-shell
Shawled in blond hair and the salt
Scrim of a sea breeze, the women
Settle in their belling dresses.
Over each weighty stomach a face
Floats calm as a moon or a cloud.

Smiling to themselves, they meditate
Devoutly as the Dutch bulb
Forming its twenty petals.
The dark still nurses its secret.
On the green hill, under the thorn trees,-
They listen for the millennium,
The knock of the small, new heart.

Pink-buttoned

But I would rather be horizontal.
I am not a tree with my root in the soil
Sucking up minerals and motherly love
So that each March I may gleam into leaf,
Nor am I the beauty of a garden bed
Attracting my share of Ahs and spectacularly painted,
Unknowing I must soon unpetal.-
Compared with me, a tree is immortal
And a flower-head not tall, but more startling,
And I want the one’s longevity and the other’s

The groundhog on the mountain did not run
But fatly scuttled into the splayed fern
And faced me, back to a ledge of dirt, to rattle
Her sallow rodent teeth like castanets
Against my leaning down, would not exchange
For that wary clatter sound or gesture
Of love : claws braced, at bay, my currency not hers.

Such meetings never occur in marchen
Where love-met groundhogs love one in return,
Where straight talk is the rule, whether warm

The night is only a sort of carbon paper,
Blueblack, with the much-poked periods of stars
Letting in the light, peephole after peephole —
A bonewhite light, like death, behind all things.
Under the eyes of the stars and the moon’s rictus
He suffers his desert pillow, sleeplessness
Stretching its fine, irritating sand in all directions.

Over and over the old, granular movie
Exposes embarrassments–the mizzling days
Of childhood and adolescence, sticky with dreams,
Parental faces on tall stalks,

Kindness glides about my house.
Dame Kindness, she is so nice!
The blue and red jewels of her rings smoke
In the windows, the mirrors
Are filling with smiles.

What is so real as the cry of a child?
A rabbit’s cry may be wilder
But it has no soul.
Sugar can cure everything, so Kindness says.
Sugar is a necessary fluid,

Its crystals a little poultice.
O kindness, kindness
Sweetly picking up pieces!
My Japanese silks, desperate butterflies,
May be pinned any

I have done it again.
One year in every ten
I manage it-

A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot

A paperweight,
My face featureless, fine
Jew linen.

Peel off the napkin
O my enemy.
Do I terrify?-

The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.

Soon, soon the flesh
The grave cave ate will be
At home on me

And I a smiling woman.
I am only thirty.
And like