Alfred, Lord Tennyson
Love And Duty
Of love that never found his earthly close,
What sequel? Streaming eyes and breaking hearts?
Or all the same as if he had not been?
Not so. Shall Error in the round of time
Still father Truth? O shall the braggart shout
For some blind glimpse of freedom work itself
Thro’ madness, hated by the wise, to law
System and empire? Sin itself be found
The cloudy porch oft opening on the Sun?
And only he, this wonder,
Love thou thy land
Love thou thy land, with love far-brought
From out the storied past, and used
Within the present, but transfused
Thro’ future time by power of thought;
True love turn’d round on fixed poles,
Love, that endures not sordid ends,
For English natures, freemen, friends,
Thy brothers and immortal souls.
But pamper not a hasty time,
Nor feed with crude imaginings
The herd, wild hearts and feeble wings
That every sophister can lime.
Deliver not the tasks of might
To weakness, neither hide
Lucretius
Lucilla, wedded to Lucretius, found
Her master cold; for when the morning flush
Of passion and the first embrace had died
Between them, tho’ he loved her none the less,
Yet often when the woman heard his foot
Return from pacings in the field, and ran
To greet him with a kiss, the master took
Small notice, or austerely, for his mind
Half buried in some weightier argument,
Or fancy-borne perhaps upon the rise
And long roll of the
Madeline
I.
Thou art not steep’d in golden languors,
No tranced summer calm is thine,
Ever varying Madeline.
Thro’ light and shadow thou dost range,
Sudden glances, sweet and strange,
Delicious spites and darling angers,
And airy forms of flitting change.
II.
Smiling, frowning, evermore,
Thou art perfect in love-lore.
Revealings deep and clear are thine
Of wealthy smiles; but who may know
Whether smile or frown be fleeter?
Whether smile or frown be sweeter,
Who may know?
Frowns perfect-sweet along the brow
Light-glooming over eyes divine,
Like
Margaret
I.
O sweet pale Margaret,
O rare pale Margaret,
What lit your eyes with tearful power,
Like moonlight on a falling shower?
Who lent you, love, your mortal dower
Of pensive thought and aspect pale,
Your melancholy sweet and frail
As perfume of the cuckoo-flower?
From the westward-winding flood,
From the evening-lighted wood,
From all things outward you have won
A tearful grace, as tho’ you stood
Between the rainbow and the sun.
The very smile before you speak,
That dimples your transparent cheek,
Encircles
Mariana
With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look’d sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, “My life is dreary,
He cometh not,” she said;
She said, “I am aweary, aweary,
I would that I were dead!”
Her tears fell with the dews at even;
Her tears
Mariana In The South
With one black shadow at its feet,
The house thro’ all the level shines,
Close-latticed to the brooding heat,
And silent in its dusty vines:
A faint-blue ridge upon the right,
An empty river-bed before,
And shallows on a distant shore,
In glaring sand and inlets bright.
But “Aye Mary,” made she moan,
And “Aye Mary,” night and morn,
And “Ah,” she sang, “to be all alone,
To live forgotten, and love forlorn.”
She, as her carol sadder grew,
From brow and
Marriage Morning
Light, so low upon earth,
You send a flash to the sun.
Here is the golden close of love,
All my wooing is done.
Oh, the woods and the meadows,
Woods where we hid from the wet,
Stiles where we stay’d to be kind,
Meadows in which we met!
Light, so low in the vale
You flash and lighten afar,
For this is the golden morning of love,
And you are his morning start.
Flash, I am coming, I come,
By meadow
Maud – A Monodrama
PART I
I.
I hate the dreadful hollow behind the little wood,
Its lips in the field above are dabbled with blood-red heath,
The red-ribb’d ledges drip with a silent horror of blood,
And Echo there, whatever is ask’d her, answers ‘Death.’
II.
For there in the ghastly pit long since a body was found,
His who had given me life–O father! O God! was it well?–
Mangled, and flatten’d, and crush’d, and dinted into the ground:
There yet
Mechanophilus
Now first we stand and understand,
And sunder false from true,
And handle boldly with the hand,
And see and shape and do.
Dash back that ocean with a pier,
Strow yonder mountain flat,
A railway there, a tunnel here,
Mix me this Zone with that!
Bring me my horse—my horse? my wings
That I may soar the sky,
For Thought into the outward springs,
I find her with the eye.
O will she, moonlike, sway the main,
And bring or chase
Merlin And The Gleam
I.
O young Mariner,
You from the haven
Under the sea-cliff,
You that are watching
The gray Magician
With eyes of wonder,
I am Merlin,
And I am dying,
I am Merlin
Who follow The Gleam.
II.
Mighty the Wizard
Who found me at sunrise
Sleeping, and woke me
And learn’d me Magic!
Great the Master,
And sweet the Magic,
When over the valley,
In early summers,
Over the mountain,
On human faces,
And all around me,
Moving to melody,
Floated The Gleam.
III.
Once at the croak of a Raven who crost it,
A barbarous
Merlin And Vivien
A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin’s feet the wily Vivien lay.
For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked
Midnight
’Tis midnight o’er the dim mere’s lonely bosom,
Dark, dusky, windy midnight: swift are driven
The swelling vapours onward: every blossom
Bathes its bright petals in the tears of heaven.
Imperfect, half-seen objects meet the sight,
The other half our fancy must pourtray;
A wan, dull, lengthen’d sheet of swimming light
Lies the broad lake: the moon conceals her ray,
Sketch’d faintly by a pale and lurid gleam
Shot thro’ the glimmering clouds: the lovely planet
Is shrouded in
Milton (Alcaics)
O mighty-mouth’d inventor of harmonies,
O skill’d to sing of Time or Eternity,
God-gifted organ-voice of England,
Milton, a name to resound for ages;
Whose Titan angels, Gabriel, Abdiel,
Starr’d from Jehovah’s gorgeous armouries,
Tower, as the deep-domed empyrean
Rings to the roar of an angel onset-
Me rather all that bowery loneliness,
The brooks of Eden mazily murmuring,
And bloom profuse and cedar arches
Charm, as a wanderer out in ocean,
Where some refulgent sunset of India
Streams o’er a rich
Minnie And Winnie
Minnie and Winnie
Slept in a shell.
Sleep, little ladies!
And they slept well.
Pink was the shell within,
Silver without;
Sounds of the great sea
Wander’d about.
Sleep, little ladies!
Wake not soon!
Echo on echo
Dies to the moon.
Two bright stars
Peep’d into the shell.
“What are you dreaming of?
Who can tell?”
Started a green linnet
Out of the croft;
Wake, little ladies,
The sun is aloft!
-Alfred, Lord Tennyson
Montenegro
They rose to where their sovran eagle sails,
They kept their faith, their freedom, on the height,
Chaste, frugal, savage, arm’d by day and night
Against the Turk; whose inroad nowhere scales
Their headlong passes, but his footstep fails,
And red with blood the Crescent reels from fight
Before their dauntless hundreds, in prone flight
By thousands down the crags and thro’ the vales.
O smallest among peoples! rough rock-throne
Of Freedom! warriors beating back the swarm
Of Turkish
Morte d’Arthur
So all day long the noise of battle roll’d
Among the mountains by the winter sea;
Until King Arthur’s table, man by man,
Had fallen in Lyonnesse about their Lord,
King Arthur: then, because his wound was deep,
The bold Sir Bedivere uplifted him,
Sir Bedivere, the last of all his knights,
And bore him to a chapel nigh the field,
A broken chancel with a broken cross,
That stood on a dark strait of barren land.
On one
Move Eastward, Happy Earth, And Leave
Move eastward, happy earth, and leave
Yon orange sunset waning slow:
From fringes of the faded eve,
O, happy planet, eastward go;
Till over thy dark shoulder glow
Thy silver sister-world, and rise
To glass herself in dewy eyes
That watch me from the glen below.
Ah, bear me with thee, smoothly borne,
Dip forward under starry light,
And move me to my marriage-morn,
And round again to happy night.
My Life Is Full Of Weary Days
I
My life is full of weary days,
But good things have not kept aloof,
Nor wander’d into other ways:
I have not lack’d thy mild reproof,
Nor golden largess of thy praise.
And now shake hands across the brink
Of that deep grave to which I go:
Shake hands once more: I cannot sink
So far–far down, but I shall know
Thy voice, and answer from below.
II
When in the darkness over me
The four-handed mole shall scrape,
Plant thou
Northern Farmer (New Style)
I.
Dosn’t thou ’ear my ’erse’s legs, as they canters awaäy?
Proputty, proputty, proputty—that’s what I ’ears ’em saäy.
Proputty, proputty, proputty—Sam, thou’s an ass for thy paaïns:
Theer’s moor sense i’ one o’ ’is legs nor in all thy braäins.
II.
Woä—theer’s a craw to pluck wi’ tha, Sam: yon’s parson’s ’ouse-
Dosn’t thou knaw that a man mun be eäther a man or a mouse?
Time to think on it then; for thou’ll be twenty
Northern Farmer (Old Style)
Wheer ’asta beän saw long and meä liggin’ ’ere aloän?
Noorse? thoort nowt o’ a noorse: whoy, doctor’s abeän an’ agoän:
Says that I moänt ’a naw moor aäle: but I beänt a fool:
Git ma my aäle, fur I beänt a-gooin’ to breäk my rule.
II.
Doctors, they knaws nowt, for a says what’s nawways true:
Naw soort o’ koind o’ use to saäy the things that a do.
I’ve ’ed my point o’ aäle
Nothing Will Die
When will the stream be aweary of flowing
Under my eye?
When will the wind be aweary of blowing
Over the sky?
When will the clouds be aweary of fleeting?
When will the heart be aweary of beating?
And nature die?
Never, O, never, nothing will die;
The stream flows,
The wind blows,
The cloud fleets,
The heart beats,
Nothing will die.
Nothing will die;
All things will change
Thro’ eternity.
’Tis the world’s winter;
Autumn and summer
Are gone long ago;
Earth is dry to the centre,
But
Now Sleeps The Crimson Petal
Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: waken thou with me.
Now droops the milkwhite peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now slides the silent meteor on, and leaves
A shining furrow, as
O Beauty, Passing Beauty!
O beauty, passing beauty! Sweetest sweet!
How can thou let me waste my youth in sighs?
I only ask to sit beside thy feet.
Thou knowest I dare not look into thine eyes.
Might I but kiss thy hand! I dare not fold
My arms about thee–scarcely dare to speak.
And nothing seems to me so wild and bold,
As with one kiss to touch thy blessed cheek.
Methinks if I should kiss thee, no control
Within the
O, Were I Loved As I Desire To Be!
O, were I loved as I desire to be!
What is there in the great sphere of the earth,
Or range of evil between death and birth,
That I should fear, – if I were loved by thee!
All the inner, all the outer world of pain,
Clear love would pierce and cleave, if thou wert mine;
As I have heard that somewhere in the main
Fresh-water springs come up through bitter brine.
‘I were joy, not